On Paper: The Everything of Its Two-Thousand-Year History by Nicholas A. Basbanes (PDF)

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A Best Book of the Year:Mother Jones • Bloomberg News • National Post • Kirkus In these pages, Nicholas Basbanes—the consummate bibliophile’s bibliophile—shows how paper has been civilization’s constant companion. It preserves our history and gives record to our very finest literary, cultural, and scientific accomplishments. Since its invention in China nearly two millennia ago, the technology of paper has spread throughout the inhabited world. With deep knowledge and care, Basbanes traces paper’s trail from the earliest handmade sheets to the modern-day mills. Paper, yoked to politics, has played a crucial role in the unfolding of landmark events, from the American Revolution to Daniel Ellsberg’s Pentagon Papers to the aftermath of 9/11. Without paper, modern hygienic practice would be unimaginable; as currency, people will do almost anything to possess it; and, as a tool of expression, it is inextricable from human culture. Lavishly researched, compellingly written, this masterful guide illuminates paper’s endless possibilities.

User’s Reviews

Editorial Reviews: Review “Fascinating. . . . Reminds us that bound up in the most mundane of objects, there is the potential for the deepest of human expression.” —Mother Jones“I will confess to being an enormous Basbanes fan, but this volume may well be his best.” —Stephen L. Carter, Bloomberg News “Buoyant, encyclopedic. . . . Celebrates paper in all its forms.” —The New Yorker”A prodigious and endlessly fascinating tome. . . . In Basbanes’ capable hands, the assembled elements become amusing, fascinating, and at times profound. He is the bibliophile’s Bill Bryson and takes the reader on a journey of discovery about an object we take for granted but cannot do without.” —Santa Fe New Mexican”Clear and necessary. . . . Basbanes is a power hitter whose grand slam brings home other recent appreciators of paper.” —The Chronicle of Higher Education“Fascinating. . . . Nicholas Basbanes is an especially congenial writer, a quality he displayed memorably in A Gentle Madness. . . . He does it again most pleasurably in On Paper, a wide-ranging investigation into the ‘everything’ of that ubiquitous and indispensable construction of cellulose fibers whose history paralleled—and made possible—the rise of civilization.” —The Dallas Morning News “Basbanes makes you love books.” —Scott Turow“As Basbanes’s book shows, paper, that most remarkable technology, has always been the most effective medium for capturing what is both practical and passionate about being human.” —The Wilson Quarterly “[Basbanes] has poured his heart and soul into this splendid survey of a beautiful human invention.” —National Post “Fascinating. . . . [A] wide-ranging, engaging and enchanting book.” —Tulsa World “An erudite, mesmerizing story about how something we consider so everyday has shaped our lives. In our age of supposedly dying print, Basbanes’s book is at once a compelling scholarly achievement and a provocative invitation to reconsider and celebrate what is truly one of the wonders of the world, that fragile yet enduring skin upon which humanity’s knowledge and vision are tattooed.” —Bradford Morrow, author of Trinity Fields “A wonderful, fascinating and timely book on a subject some have prematurely declared obsolete. Basbanes reminds us of the vital role the invention of paper has played through the centuries in the dissemination of knowledge and ideas. His stories that run the gamut, from the way paper is made to a poignant sheet of paper floating down to the sidewalk on September 11, 2001. Not to be missed.” —Meryle Secrest, author of Duveen “Encyclopedic. [Basbanes] writes informatively about everything from paper trails to red tape, from the technical issues of papermaking to the high art of origami. . . . Readers will likely finish On Paper newly appreciative of not only paper’s flexibility and function but also its ubiquity. They will also likely conclude: A paperless society? Not in my children’s children’s lifetime.” —BookPage “An absolutely fascinating tale. . . . An engrossing, essential book that no book lover should be without.” —Publishers Weekly (starred) “A delightful and intrepid guide in this capacious history of paper. . . . A lively tale told with wit and vigor.” —Kirkus Reviews (starred) “Every facet of this celebration of paper is engrossing and thought-provoking. . . . Paper, Basbanes avers, is nothing less than an embodiment and conveyance of humanity.” —Booklist (starred) “Pretty much irresistible.” —Library Journal About the Author Nicholas A. Basbanes is an award-winning investigative journalist and was literary editor of the Worcester Sunday Telegram. His articles have appeared in The New York Times, The Washington Post, and Smithsonian, and he is a recipient of a National Endowment for the Humanities Fellowship. Basbanes lives in North Grafton, Massachusetts, with his wife. Excerpt. © Reprinted by permission. All rights reserved. Preface As a writer of nonfiction, I have devoted a good deal of my life to the study of books in every conceivable context, so a work now on the stuff of transmission itself should come as no surprise to anyone. But in the end, these venerable containers of shared wisdom were merely the launching pad for what became a far wider and much deeper adventure of inquiry, one that still has me turning up stories and ideas that in a world without limits would demand inclusion in these pages—it is that compelling a subject. Beyond paper’s obvious utility as a writing surface, its invention in China during the early years of the modern era made possible the introduction of printing, with the first known devices being stamps made from carved wooden blocks, a process known today as xylography (literally, writing with wood). Not long after the Arab world learned to make paper from the Chinese in the eighth century, the Middle East became a center of intellectual energy, with paper providing the ideal means of recording the thoughts and calculations of Islamic scholars and mathematicians. Making its first toehold in Europe by way of Spain late in the eleventh century, the process moved in the thirteenth to Italy, which became, at about the same time, the cradle of what in later years would be known as the Renaissance. From Europe it made its way to North America and the rest of the inhabited world. The inexorable spread of this versatile material has been told in bits and pieces by a number of paper specialists whose works are thoroughly referenced in my bibliography. While I am certainly mindful of the chronological sweep of this ubiquitous product, a conventional timeline of its discovery and adoption is not the central thrust of this book, even though one of the goals of Part I is nonetheless to provide a selective overview of its glorious history. Instead, my driving interest points more to the idea of paper, one that certainly takes in the twin notions of medium and message but that also examines its indispensability as a tool of flexibility and function. The laser physicist and master origami folder Robert Lang, whom you will meet in Chapter 15, lives by the credo that “anything is possible in origami,” which can pretty much be said about paper itself. Paper is light, absorbent, strong, plentiful, and portable; you can fold it, mail it, coat it with wax and waterproof it, wrap gunpowder or tobacco in it, boil tea in it. We have used paper in abundance to record our history, make our laws, conduct our business, correspond with our loved ones, decorate our walls, and establish our identities. When it comes to pure utility, modern hygienic practice is unimaginable without paper; when used as currency, people will move heaven and earth to possess it. In realms of the intellect, every manner of scientific inquiry begins as a nonverbal spark in the mind, and more often than not that first burst of perception is visualized more fully on a sheet of paper. When it’s used as an instrument of the generative process, innovators of every persuasion can sketch and tinker away on it at will, design buildings and machines on it, compose music and create poetry on it. As a “paper revolution” swept through Europe in the eighteenth century, architects and engineers transformed the manner and the means of the living landscape. The Industrial Revolution in particular is hard to conceive of without its precisely reproduced instruction sheets to guide assembly crews in their various assignments. The word virtual has become, in the computer age, one way of describing a simulated reality that exists quite apart from the concrete world, an alternative existence that is not just a copy but a substitute for the real thing. In the expression of imagery, there is nothing at all new about the concept; people have endeavored to create likenesses of themselves and their surroundings for millennia, with examples to be found in cave paintings prepared thousands of years ago, during the last ice age, many of them impressive to this day for their artistry and execution. By no means unique in this regard, paper has nonetheless been around for centuries, nobly fulfilling that function. When the seventeenth-century patron of the arts Cassiano dal Pozzo set out to assemble a comprehensive collection of visual knowledge, he commissioned a number of prominent artists to make what turned out to be seven thousand watercolors, drawings, and prints in fields that included botany, art, architecture, geology, zoology, and ornithology. Dispersed today among four major institutional collections, what was arguably the world’s first virtual library is known now as the Paper Museum. In more recent times, lithography and photography—the words literally mean “writing with stone” and “writing with light”— used paper as the surface of choice to create and distribute surrogate images. As a force in shaping historical events, paper rarely draws attention to itself, yet its role is evident to varying degrees in scenario after scenario. One telling case in point is the introduction of human flight during the eighteenth century in France, when the Montgolfier brothers used several layers of paper made in the family mill to line the inner skin of the world’s first hot-air balloon. Another example is the American Revolution; historians generally agree that the run-up to the Battles of Lexington and Concord can be said to have begun with the Stamp Act of 1765, which was all about taxing the many ways colonists had come to rely on paper documents in their daily lives. A century later, the refusal of Hindu and Muslim mercenary soldiers in the employ of the British East India Company to bite open paper cartridges greased with animal fat sparked a bloody insurrection known variously today as the Sepoy Mutiny and the First War of Indian Independence. A roll call of political scandals, international incidents, and sensational trials to have paper documents at some point play a crucial role in the unfolding of events would have to include the Dreyfus affair of the 1890s and early 1900s, involving a forged memorandum known as the bordereau; America’s entry into World War I, with the Zimmermann Telegram; the Alger Hiss spy case of the late 1940s, which involved the damning testimony of Whittaker Chambers regarding the notorious Pumpkin Papers; the trial of Julius and Ethel Rosenberg in 1953, with its purloined sketch of a nuclear implosion device that was crucial in sending both off to the electric chair; and Watergate, precipitated by Daniel Ellsberg’s brazen release in 1971 of the Pentagon Papers. And while the influence of computers is everywhere apparent, it is instructive to note that the earliest machines of any functional significance processed their data on punched paper cards, and that the progenitor of all electronic printing devices—the universal stock ticker—used narrow spools of newsprint to give real-time readouts of financial transactions, revolutionizing forever the way business would be conducted on Wall Street. Not only are we awash in a world of paper; we are awash in a world of paper clichés. George W. Bush defeated Al Gore in 2000 by a “paper thin” margin, the deceit that surrounded the Enron fiasco was built on a “tissue of lies,” and the fragile structure that subsequently collapsed was a “house of cards.” To beat someone to a “pulp” is to inflict appalling injury. To “map out” a plan for something is to come up with a spe- cific course of action. Day in and day out, we are mired in “red tape,” a corollary of being “buried under a mountain of paper,” while a “paper tiger” is either a wimp or a weakling or a fraud, take your pick. I readily admit to playing with a few of them in this book—something being “not worth the paper it is printed on” was irresistible, and it provided the premise for the chapter I call “Face Value.” At the very time I was completing the first draft of this manuscript, the Boston Red Sox—a team I have been following obsessively since my father took me to Fenway Park for the first time in 1953—finished the most spectacular flop in the history of Major League Baseball, squandering a seemingly insurmountable lead of nine games with less than a month to go in the 2011 season and finishing entirely out of the playoffs. Making their collapse doubly painful were predictions made at the start of the season that, with fifteen highly paid All-Stars in the lineup, Boston was by far the best team to take the field that year. Sports Illustrated had picked the Red Sox to win one hundred games and handily dispatch the San Francisco Giants in the World Series; even seasoned sportswriters in New York, home of the archrival Yankees, were impressed by their prospects for a championship. “I can see why people are talking about our going back to the World Series,” one of those highly paid Red Sox, J. D. Drew, had told Dan Shaughnessy, the estimable baseball columnist for the Boston Globe, as opening day drew near in April. “On paper, we have that kind of team.” It was that blasé comment of presumed inevitability—all of it worked out abstractly on an imaginary notation pad—that gave Shaughnessy reason to pause and comment forebodingly, with uncanny prescience, “But it never plays out the way it does on paper, does it?” At a meeting in Hanoi in June 2012, American secretary of defense Leon Panetta presented to Vietnamese minister of national defense Phung Quang Thanh a small maroon diary taken from a fallen North Vietnamese soldier by a U.S. Marine in 1966. In return, Thanh turned over to Panetta a passel of personal letters removed from the body of Army sergeant Steve Flaherty of the 101st Airborne Division after he was killed in action in 1969. The Washington Post summed up the arti- fact exchange by noting that these two relics, from a time when the two countries “were bitter enemies,” had in an instant become “symbols of the evolving U.S.-Vietnamese relationship”—and each was recorded on otherwise unremarkable sheets of paper. My research model for this book has been fairly straightforward, and should be apparent in each chapter. I traveled in China along the Burma Road, because Old China is where the story begins, and I proceeded in due course to Japan, because that was the only place where I could meet with a Living National Treasure papermaker. I spent seven months trying to get a tour of the National Security Agency, in Fort Meade, Maryland, because the cryptologists there pulp one hundred million ultrasecret documents a year (give or take) and send them off for recycled use as pizza boxes and egg cartons. I spent two days at the Crane Paper mill, in Western Massachusetts, because, as Willie Sutton is purported to have famously said, “that’s where the money is”—or, more to the point, that is where all the paper for American currency is made. Since the idea of “disposability” is very much a paper theme, too, the same goes for a Kimberly-Clark mill in Connecticut, where close to a million boxes of Kleenex tissue, and as many rolls of Scott kitchen towels, are made every day. If there’s a common thread to be discerned, it is what Graham Greene sagely called, in one of his novels, “the human factor.” A few years ago, the British Association of Paper Historians noted in a description of its activities that there are something on the order of twenty thousand commercial uses of paper in the world today, and that the organization’s members are interested in each and every one of them. Rest easy, dear reader: I am not about to explore twenty thou- sand different uses of paper here. But if that claim is accurate—and one Pennsylvania company you will meet in Chapter 17 alone has a line of one thousand different products for its output—then the paper- less society we hear being bandied about so much today may not be as imminent as some people suggest. The words of the great Fats Waller seem especially relevant on this point: “One never knows, do one?” Read more

Reviews from Amazon users which were colected at the time this book was published on the website:

⭐Nicholas Basbanes is well known as the author of A Gentle Madness, Patience and Fortitude, Every Book Its Reader, and other works celebrating books and the fine arts of collecting and reading them. It is a natural progression, then, for his latest work to deal with the substance from which books are made. On Paper is a fascinating work, highly scholarly yet inviting, dealing with the many ways paper has contributed to and enhanced our world.On Paper is divided into three sections. The first deals with the history of papermaking, beginning like so much else of civilization in China,then carrying on through Asia, the Middle East, Europe and the Americas, helping us realize yet again how much human history has depended on paper. Part II covers some of the myriad ways paper has been used over the centuries: as currency, means of identification, to record legal and historic events, and to serve as witnesses to the past. In Part III Basbanes describes the uses creative people have made of paper, including the notebooks of Leonardo da Vinci, the compositions of Beethoven, and John Quincy Adams’ diaries among many other examples. In each section Basbanes introduces us to some amazing people, including librarians, archivists, traditional paper makers and origamists, who manufacture, use, and preserve paper.Reading On Paper is like having a long and enjoyable conversation. So many different topics come up, each one fascinating and leading to new avenues of investigation. I think I enjoyed the sections on early paper making and the chapters dealing with historical documents and with paper currency the most, but it’s difficult to say because every page has so much that interested and intrigued me.Nicholas Basbanes is rightly celebrated as the staunchest of advocates for books and reading. On Paper will enhance that status immeasurably and ensure that he will continue to be known as a friend to all that is literate among us.

⭐Exactly what it says. The early chapters focus on the origins of paper and how it was made in the beginning and into today. Then it moves onto how paper had an effect on things like architecture and ideas. Another section deals with how it is used and how that has changed like newsprint into sanitary health products. Finally poignant moments that deal with paper as the line between a medium and the artifact itself are discussed. I did notice that the paper this book was made with was quite nice feeling substantial but not overly heavy. I really enjoyed this micro history and it encompasses so many interesting things

⭐Basbanes always writes in a way that strolls through his topic, in this case paper. He manages to provide insights at every point, along with fascinating details on the processes and business of papermaking, as well on the value and mystique of paper itself. Like his other works, this volume deserves a leisurely read. It will deeply affect the reader’s understanding of and appreciation for something so easily taken for granted. Basbanes is unique in his writing–entertaining, confident, informative. It invites the reader to savor a topic, to relax and enjoy the world, and to be affected thereby. His beautiful language and deep knowledge of his subject reminds the reader that sometimes it is more important to read and digest rather than just gather information. No one issues this invitation better than Basbanes.

⭐Have not finished it yet, so only 4 stars for now. It is really detailed about the origins of paper making. I’m not sure I would consider it an ‘entertaining’ read, but it’s certainly interesting. I can see why some might think it a little bit droll. If you want a well written book to explain the how and whens of papermaking then this is your book. If require some witty banter to amuse you as you learn something, then you will probably not be happy.

⭐What a wonderful, entertaining, thorough book. Gun cartridges?!! … who knew! Basbanes obviously has a love of paper, but of history, culture, sociology, and serendipity. This is right up there with Salt, and Rain … two other beautiful books, all of which will amaze and delight anyone who enjoys seeing the interconnectedness of life’s “simple” and unnoticed wonders. Thank you sir, for a great ride.

⭐I felt a bit guilty buying this on a kindle given the topic but I was traveling and wanted to read it on a trip. I found rich, readable and informative. As a lover of paper products, especially for writing, drawing and creating I was happy to learn about the origins and uses of my favorite medium.

⭐The contradictory nature of paper is just one of the fascinating aspects of this book. Paper is the thing and not the thing, as its worth “relies almost entirely on what has been written, drawn, or printed on its surface.” Nicholas Basbanes recounts dozens of the 20,000 documented uses for paper, and reminds us that bound up in the most mundane of objects, there is the potential for the deepest of human expression. This thorough exploration of one of our greatest inventions is worth reading—yes, on paper.

⭐Perhaps we’ve all taken paper for-granted as it seems to be ubiquitous and to have been in existence forever. Nick Basbanes tells the story of paper from its beginnings in China to today by describing the people who made it and their stories. Each chapter has a different focus with compelling personal stories from his research. Consequently it is very readable and enjoyable.

⭐I loved Basbanes’ “A Gentle Madness”, and was looking forward to reading this. Within a couple of hours of receiving the book though, pleasurable anticipation had given way to disappointment. This reads like something that has been extensively edited or altered to widen its appeal to a supposed mass market, outside its natural (and perhaps original) target audience of book collectors, bibliophiles and lovers of fine printing. The chapters on the early development of paper, and its spread from East to West are dumbed down and often trite, there is little new here for anyone interested in the subject. Instead of a meaningful exploration of the history of paper, the book is padded out with sections inter alia on Kleenex toilet paper, banknote printing, US constitutional documents, Leonardo da Vinci’s notebooks, and – bizarrely – the paper notes recovered at the World Trade Centre from the victims of 9/11. Key aspects of the story – the development of watermarks for example – are barely touched on. Much of the book feels like an attempt to make the subject “more interesting”, by stretching its parameters to encompass digressions of only peripheral relevance. The result is a longwinded, unfocussed and frequently tedious book. Basbanes – or more likely his editors – should have had the confidence to let the subject stand on its own merits.

⭐Cover oage is so dull …returning it.Seller was Nanda books

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