Aesthetic Reason: Artworks and the Deliberative Ethos (Literature and Philosophy) by Alan Singer (PDF)

Description

In recent years the category of the aesthetic has been judged inadequate to the tasks of literary criticism. It has been attacked for promoting class-based ideologies of distinction, for cultivating political apathy, and for indulging irrational sensuous decadence. Aesthetic Reason reexamines the history of aesthetic theorizing that has led to this critical alienation from works of art and proposes an alternative view. The book is a defense of the relevance and usefulness of the aesthetic as a cognitive resource of human experience. It challenges the contemporary critical tendency to treat aesthetic value as separate from the realms of human agency and sociopolitical change. The argument unfolds through a review of the cognitivist traditions in post-Enlightenment aesthetic theory and through Singer’s own articulation of a model of ethical subjectivity that is derived from the Greek concept of akrasia, which recognizes the intrinsic fallibility of human action. His focus on akratic subjectivity is aimed at revealing how the artwork has the potential to enhance human development by cultivating habits of self-transformation. Along these lines, he shows that the aesthetic has affinities with the logic of reversal/recognition in Greek tragedy and with theories of subject formation based on intersubjective recognition. The marking of these affinities sets up a discussion of how the aesthetic can serve protocols of rational choice-making. Within this perspective, aesthetic practice is revealed to be a meaningful social enterprise rather than an effete refuge from the conflicts of social existence.The theoretical scope of the book encompasses arguments by Plato, Aristotle, Nietzsche, Kant, Hegel, Adorno, Lyotard, Bourdieu, Derrida, Althusser, and Nancy. Singer’s exposition of “akratic subjectivity” is advanced through readings of literary texts by Sophocles, Melville, Beckett, Joyce, and Faulkner as well as visual texts by Caravaggio, Cindy Sherman, Barbara Kruger, and Gerhard Richter.

User’s Reviews

Editorial Reviews: Review “With Aesthetic Reason, Alan Singer makes a significant and unique contribution to the debate about the ethical significance of art and aesthetic experience. . . . On every front, Singer’s book offers fresh perspectives on aesthetic experience that require attention from philosophers, historians, and critics of literature and art.”―Gregg M. Horowitz, Vanderbilt University“Aesthetic Reason is an impressive and challenging work in many ways.”―Daphna Erdinast-Vulcan, English Literature in Translation 1880-1920“It is, indeed, difficult to do full justice to the originality, the breadth, and the depth of Singer’s outstanding work in this space of a review, but I would like to conclude with a brief comment which might add one futher twist on an already complex argument.”―Daphna Erdinast-Vulcan, English Literature in Translation 1880-1920“Aesthetic Reason is an impressive and challenging work in many ways, the most significant of which is the solid case it builds up for cognitive aesthetics against the currently fashionable anti-aesthetic, which has problematically linked itself with the postmodernist concern for sociopolitical change and human agency.”―Daphna Erdinast-Vulcan, English Literature in Transition, 1880–1920 About the Author Alan Singer is Professor of English at Temple University.

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