
Ebook Info
- Published: 1996
- Number of pages: 336 pages
- Format: PDF
- File Size: 5.90 MB
- Authors: Alan Cooper
Description
Examines Philip Roth’s use of Jewish ideas and materials in his novels, considering also the responses to Roth’s work and his relations with the Jewish community and contemporary Jewish writers.
User’s Reviews
Editorial Reviews: From Library Journal Cooper (York Coll., CUNY) has written a fascinating study of Philip Roth, placing him as the premier writer of the Jewish experience in America. All the “corruption and vulgarity and treachery of American life” and the attempt to live as a Jew and as a free, unsponsored person is present in Roth’s fiction. Cooper discusses Roth’s work from his early college writings to his latest, National Book Award-winning work, Sabbath’s Theater (LJ 7/95; see LJ’s Best Books of 1995, p. 46-50). Cooper presents the critical reaction to Roth?both literary and Jewish?as an integral part of Roth’s biography and evolution as an artist. For Cooper, the eruption of the “bad” and the search for identity in Roth’s art are the keys to his important and liberating voice. An insightful study, essential for literature collections.?Gene Shaw, NYPLCopyright 1996 Reed Business Information, Inc. Review “Cooper scrupulously researches, locates, and considers some more obscure―but revealing―criticism of Roth’s work. He also explores some of Roth’s juvenilia and other lesser known stories and contextualizes Roth’s work by painstakingly describing the political, social, and literary milieu surrounding each work. He speaks about Roth’s biography and spends much time discussing Roth’s political views as they have manifested themselves in his writing.” ― Daniel Walden, Penn State University About the Author Alan Cooper is Professor of English at York College, City University of New York. He chaired the English Department for 20 years and now serves as the college’s faculty leader. Read more
Reviews from Amazon users which were colected at the time this book was published on the website:
⭐I have to say that I was skeptical of this book. I was doing research on Phil Roth for my students. I found the book to be an interesting tool in understanding and clarifying Roth as an author. He was born at Newark’s Beth Israel Medical Center and raised in the Jewish enclave of Newark also known as Weequahic section. Every culture or ethnic group had their sections in Newark just like they did in New York City. His relationship with Judaism is not an easy one. He is not a religious Jew nor a practicing one. I don’t know if he believes in God at all and I don’t expect them too. We, writers and authors are quite a strange bunch. Anyway, Roth’s Jewishness is examined but it’s not quite clear to the reader. I believe that Roth like others thought that his neighborhood would have stayed the same since he left but it didn’t. The Jewish community has become quite assimilated into American culture. Driving past the Weequahic section last week on a snowy day only by accident, I saw his Newark as once a section where it was a community. That’s the problem, we have all lost our sense of community by moving away for a little more property and nicer homes and better schools. We now have longer commutes and expenses but we miss our families and friend and the familiarity of our neighborhoods. Maybe that’s why some towns have generations of families like mine in the same community, at least, we know of each other. Anyway, Roth’s relationship with his religion, culture, and ethnicity is often the subject of his many novels especially about the conflict regarding assimilating or becoming mainstream once they were seen as outsiders before. Remember in their time, it seemed that there were only two religious groups, Christians and Jews. Now you have Muslims, Hindus, Buddhists, Atheists, etc. among our mix. Life certainly has changed for the Jews who were once seen as unwelcome outsiders but tolerable. Now they are a part of American culture, they are no longer outsiders and are welcome into our families, communities, and society.
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