Understanding Conflict: (And What It Really Means) (Skill Builders Series Book 2) by Janice Hardy (PDF)

Description

Do you struggle with creating conflict in your novel? You don’t have to. Janice Hardy, award-winning author and founder of the popular writing site, Fiction University, takes you deep inside one of the most important aspects of storytelling–conflict. She’ll help you understand what conflict really is, discuss the various aspects of conflict, and reveal why common advice on creating conflict doesn’t always work. With in-depth analysis and easy-to-understand examples, Understanding Conflict (And What It Really Means) looks at how to develop and create conflict in your novel. It also explores the things that affect conflict (such as tension), and the misconceptions that confuse and frustrate so many writers. This book will help you: Understand what conflict means and how to use itTell the difference between external and internal conflictsSee why conflict isn’t a “one size fits all” solution Determine the type of conflict your story needsFix lackluster scenes holding your writing back Understanding Conflict (And What It Really Means) is more than just advice on what to do and what not to do—it’s a down and dirty road map to how conflict works, designed to help you create the right conflict for whatever genre you’re writing. By the end of this book, you’ll have a solid understanding of what conflict means and the ability to use it to craft strong and compelling fiction.

User’s Reviews

Reviews from Amazon users which were colected at the time this book was published on the website:

⭐I don’t really write reviews, but I couldn’t help it for this one. Absolutely PHENOMENAL writer’s resource.Given how nebulous writing guides can be (particularly with jargon), this book was a godsend in conceptualizing “conflict.” Unlike so many other guides, it really lives up to its assertion that “one size does NOT fit all.” In other words, I felt very little bias towards one particular story structure or genre, which made it all the more effective for me. I think this makes it great for authors of any genre or form. The flexible, open-minded approaches to utilizing conflict in one’s work were so empowering.The part that really set this guide apart for me was the examples (and boy were there LOTS of them!). Instead of relying on examples from published works—like most guides—Ms. Hardy provides simple but original examples for all of the concepts. There’s no sense of “well, I sure wish I’d read [insert book here] so I could better utilize this example.” All of them are original and succinct variations of “let’s say we have a situation where…”Super clear and helpful. Highly recommend!

⭐The surest way to master conflict it is to get direct and repeated feedback on your writing. That could be from a critique partner, a knowledgeable friend, or a professional editor. But this book can help you deepen your understanding of the topic and ask better questions when someone gives you feedback that there’s a problem with your conflict.Hardy catalogs the various meanings of “conflict” across different types of stories as well as all the ways writers can go wrong in trying to create the different flavors of conflict.Topics include+ What conflict is and what you might think it *is*, but is not actually conflict+ Different types of conflict: 1) “conflict of the plot” – the physical challenges characters face 2) “conflict of the character” – the mental/emotional challenges that arise in a character’s mind+ Problems with conflict (i.e. conflict that doesn’t contribute to your story)+ How to add conflict to your scenesConflict is so critical to writing good fiction that one book will never be enough. But Hardy explains a lot of the stuff that other authors take for granted that writers know about the topic. This book is best used as a springboard. Read it, write a story, then go get feedback from your writing buddies or an online critique site.

⭐Hardy’s meta-analysis on conflict shouldn’t be surprising to actually cause conflicts in understanding. We may not want to un-learn previous books we’ve become enamored with that stuck with us. Hardy even acknowledges that YMMV, and how it comes full circle.Conflict in one utility isn’t always ubiquitous to all types of genres. Authors who made books, and provide instruction on craft books are saying “this is how I did it.” Hardy explores inclusiveness instead of exclusiveness to help you see the bigger picture.She breaks down misconceptions of what people feel conflict ‘ought to be’. You’re going to see tension in a completely different perspective!Tension, obstacles, internal/external conflict are inclusive to each other. It’s because each genre and subcategories have different scales that results in variance. Whatever your opinion is, at least give the book a shot. What you feel has enough conflict and tension may not be the same for someone else because you can see the ideas while they can’t.I recommend her book on understanding show, don’t tell to get how to convert tell prose into show prose. That way, you show your thoughts and makes it less jarring to readers.Hardy asks you the tough questions that you didn’t think you need to hear. She knows she can’t be the end-all be-all for these things. But understanding the dynamics of genres and immersive experiences can be helpful.The utility of the book is to know how to go about fleshing out conflict. She also explains why editors and readers can’t sense enough conflict or tension. Kind of like how Brandon Sanderson would explain on his work group dynamics.It’s all about the immersion, and how to understand conflict before you get into your own flair. At least that’s what I got out of this.

⭐Janice’s book laser focuses on conflict in fiction writing. In the first part of book, Janice gives us an overview of what conflict, tension and character arc mean, how they are separate from each yet are related to each other or trigger one another. Janice explains that a story can be written without character arc and gives real life examples of books and movie where this is true.Janice then demonstrates implementations in conflict in the remaining book.She provides a humorous example of an evil wizard, a hero and a population of townspeople illustrating conflict and motivation. If you read this, you’ll get a laugh of enjoyment and gain valuable insight from this example, which drives the whole point of why Janice wrote her book.She delves into on conflict categories such as Person vs. Person, Person vs Self, Person vs. Society and Person vs. Environment, but there’s more. She provides an even deeper set of situations that may fit into one of these four archetypes.Give your story or manuscript a good wellness check and pick up Janice’s book, Understanding Conflict. It makes you think and consider deeper issues that you may be overlooking, that may be the difference between a great story or one that people yawn, put down your story and ask themselves, what else could I read that’s more exciting.

⭐An deep analysis to help understand conflict in a story. It is written in a way that I found easy to understand, and it includes lots of examples. I now find myself evading examining books and movies, looking for the different types of conflicts m mentioned in this book. I highly recommend it.

⭐We’ve needed Janice Hardy for years. She is giving many writers pathways for learning how to write their stories. I urge all writers trying to learn writing to get acquainted with her work.Olga

⭐One of the latest in my writing tools bokshelf and just took the pass one reading.It is clear from the context of the book that conflict is a widely misundestood term between not only the writers and readers but also the critiquers.Conflict is neither tension nor fighting as some can think that can mislead anyone to a wrong route.As with other books of Hardy it uses quite big letters wth round Rockwell font using the typical CS platform. THis makes me much easier to read with minimal use of dictionary.That means reading runs very fast and smooth.The discussion is down to earth and each key level of conflict seems as simple theory.However Mrs Hardy analyzes it very deeply with examples, simple paradigms or movies.It is well analyzed and from all aspects .The last two chapters (crafting conflict and weak conficts and how to tweak them) are even more interesting.Elementary to middle level but worth of reading even for professionals 4/5Hope to see later some other very interesting skill books as that!

⭐For a story to be dramatic beyond that which applies to the simplest expression of the action and horror genres, for example, there is a need for inter-character and intra-character conflict other than the direct conflict between the white hats and the black hats. However, for that which is best expressed as simply as possible, keep it that way, and make it the best it can be. Check the proposition that is your premise, before you wrap the treasury of your dog-poop, in cat-poop, to make it into a CDO.

⭐I give this book the five stars, because it’s full of knowledge, which every author should read and take-in. But the pages within book were creased as if someone had pressed another object on top of it.

⭐This is a great resource book for anyone wanting to understand the concept of ‘confilct’ in a story. I found the explanations, examples and exercises really helpful and have gone back to the book time and again since I bought it. Miss Hardy has a way of breaking the subject down to its nuts and bolts and then putting it all back together in way that’s practical and helpful.

⭐Understanding conflict is well written and easy to follow. It did the job it set out to do. Thank you Janice.

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